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A comprehensive collection of essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life, including an essay on poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of Bring in 'Da Noise, Bring in 'Da Funk.
- Sales Rank: #926834 in Books
- Published on: 1998-10-15
- Released on: 1998-11-05
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.54" w x 7.00" l, 2.61 pounds
- Binding: Paperback
- 576 pages
Amazon.com Review
Columbia University professor Robert G. O'Meally--one of the most comprehensive essayists and cultural critics on the scene--has brought together diverse viewpoints on jazz's continuing influence over the culture of the United States. This superb collection takes its cue from the legendary Ralph Ellison's observation that American life is "jazz-based." As O'Meally writes, "The book is thus a teaching tool designed to open the way for a variety of new avenues in jazz studies as a growing interdisciplinary field of exploration."
Ann Douglas muses on the relationship between skyscrapers and the music of the swing era, while Alan P. Merriam and Fradley H. Garner trace the jumbled etymology of the very word jazz. Astute critic Albert Murray offers a brief but masterful and illuminating treatise, "Improvisation and the Creative Process," while James A. Snead explores the uses of riffs in "Repetition as a Figure of Black Culture." The book's scope is grand enough to include Stanley Crouch's affirmative "Blues to Be Constitutional," Amiri Baraka's scorching indictment "Jazz and the White Critic," and Michael Eric Dyson's take on basketball's jazz/dance-like Afro-American reinvention, "Be Like Mike: Michael Jordan and the Pedagogy of Desire." Interviews with saxophonist Benny Golson and trumpeter Wynton Marsalis round out an incredible work that reveals all of the multicolored hues and grooves that make the United States glow. --Eugene Holley Jr.
From Publishers Weekly
Both a celebration and an analysis of jazz, this massive omnibus of essays, interviews, riffs, reminiscences, lectures and meditations examines the impact of jazz on American culture from the 1920s Harlem Renaissance to the 1960s black arts revolution. The anthology's unifying theme, as O'Meally, professor of American literature at Columbia University, declares in the preface, is that jazz?with its balance between individual invention and group coordination?is a quintessential democratic medium, both metaphor and model for egalitarian cooperation. Picking up that motif, the selections by Amiri Baraka, Stanley Crouch, August Wilson, Ralph Ellison, Albert Murray, Sterling Brown, Zora Neale Hurston, Wynton Marsalis and others explore how jazz, with roots in Africa, became a robustly, definitively American form of expression. Jazz's ethos of improvisational pluralism, its games of color and space, its rhythms and sudden changes, as the contributors demonstrate, have had a pervasive, often subtle influence on art (Jackson Pollock, Stuart Davis, Mondrian, Romare Bearden), photography, filmmaking, dance, popular song, architecture and literature (Jack Kerouac, Vachel Lindsay, Toni Morrison, Richard Wright). A mixed bag, this collection includes a feminist interpretation of women blues singers in the 1920s, a deconstruction of basketball star Michael Jordan's style of play, a survey of traditional African dance and music and reappraisals of black and white jazz history. It frequently veers into hyperbole, as when jazz is seen as analogue, influence or model for the Manhattan skyline, the Constitution, or Mark Twain's humorous monologues. But whatever its excesses, this outstanding investigation of jazz as an integral strand in the fabric of American culture is a must for aficionados.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
These two compilations take very different approaches to understanding jazz. Keeping Time is a fairly traditional documentary history, using newspaper and magazine articles, interviews, and excerpts from autobiographies and secondary accounts. After explaining the early years of the music, Walser, chair of musicology at UCLA, provides fascinating material dealing with the jazz age in the 1920s, swing in the Thirties, and bebop in the Forties. The book is less convincing on the hard-bop 1950s, provides very little information on the avant-garde in the next decade, and largely ignores Seventies fusion. It ends with an excellent outline of the Wynton Marsalis-led return to traditionalism in the 1980s and a more general, less satisfying examination of jazz today. The Jazz Cadence of America attempts to show the reciprocal effects of jazz and American culture on each other. After dealing with definitions of "jazz," O'Meally (American literature, Columbia; Lady Day: The Many Faces of Billie Holiday, LJ 11/1/91) traces the place of jazz in American society; the influence of the music on painting, architecture, photography, film, and dance; jazz history from different perspectives; and the impact of jazz on literature. Some sections provide fascinating insights into the relationship of jazz to the other arts, especially painting and literature. However, the book seldom shows the connection between jazz and American society or the effect of other aspects of American culture on jazz. Despite obvious flaws, The Jazz Cadence offers an innovative approach to understanding jazz within a larger social context. Complementing each other with little overlap, these two compilations are recommended as classroom texts.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
11 of 15 people found the following review helpful.
intelligent and invigorating
By A Customer
The collection of essays gathered in this volume are exceptional--smart, insightful, and inspiring. Together they explore jazz as a cultural phenomenon, not only a musical genre. They are organized intelligently in a manner which makes the book both educational and very enjoyable.
1 of 2 people found the following review helpful.
Another great edition
By Ralph M. Jones
What is jass . Go figure.Great research into the word jass and how it is used and of course why? Yeah, I said it jass.
We need to examine more closlely what others have named what we do. Name your own " painting"
0 of 1 people found the following review helpful.
Five Stars
By Dennis Lebby
Love this book!
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