PDF Ebook The Bible in Pictures: Illustrations from the Workshop of Lucas Cranach (1534), by Martin Luther
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The Bible in Pictures: Illustrations from the Workshop of Lucas Cranach (1534), by Martin Luther
PDF Ebook The Bible in Pictures: Illustrations from the Workshop of Lucas Cranach (1534), by Martin Luther
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The complete 117 images that triggered a religious revolution
Martin Luther's Bible, published in 1534, was the first complete German Bible and a pivotal event in the history of Christianity. Luther's revolutionary translation, modern in vernacular and interpretation, made the Bible accessible to laypeople, fueled anger and revulsion toward Rome and the Papacy, and begat a new religion: Protestantism. The most desirable copies came with shockingly graphic and politically-charged illustrations, such as those depicting the Whore of Babylon riding a seven-headed beast while wearing the Papal crown, or the Four Horsemen of the Apocalypse led by a Turkish soldier. TASCHEN is publishing the 117 hand-colored woodcut illustrations, created in the workshop of Lucas Cranach. Each is meticulously reproduced from a rare and sumptuous original copy, belonging to the Herzogin Anna Amalia Bibliothek in Weimar. Stephan F�ssel provides a scholarly overview of Luther's life, the historic context and cultural significance of his Bible, and detailed descriptions of the illustrations and their iconography.
- Sales Rank: #1798225 in Books
- Published on: 2009-10-01
- Original language: German
- Number of items: 1
- Dimensions: 13.78" h x 1.04" w x 9.44" l, 3.15 pounds
- Binding: Hardcover
- 200 pages
About the Author
Stephan F�ssel is director of the Institute of the History of the Book at the Johannes Gutenberg University of Mainz, and holder of the Gutenberg Chair at the same university. He has published prolifically on the early days of printing, the sale and publication of books between the 18th and 20th centuries and the future of communications.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Very Handy
By Peter McGowan
I was elated to own a copy of Taschen's facsimile edition of the 1534 Luther Bible, complete with its colour illustrations. These illustration offer a window into the historical and theological thought of Luther who so stronly influenced their content. Cranach was a master artist and engraver. This book collects all these 117 illustrations together and reproduces most in larger format for greater and more detailed study. This allows Stephen Fussel to comment on each and offer explanatory notes to accompany an extended essay. My only complaint is the binding is a little cheap. However, the print quality is very good and vivid.
I hope Taschen publishes many more in this valuable genre.
2 of 2 people found the following review helpful.
Beautiful colors, enlarged pictures, weak binding.
By B. Marold
I find myself halfway between the previous two reviewers, hence the four stars. I heartily agree that it is great to have all of the pictures from Lucas Cranach's workshop, for the Luther Bible, all in one place, in a large format. It is important to remember that these works were done largely by Cranach's apprentices, because the artistic quality is more on the level of commercial illustration than of fine art. This fact is obvious due to the very large full page folio or even double page folio, with no margins. Compare the faces in these pictures to those in Cranach's famous portraits of Luther, Elizabeth von Bora, his wife, and especially the portrait of Anna Cuspinian, and you will be impressed by the contrast of fine art versus illustration.
But that does not detract from the historical interest of these illustrations. Cranach shows that like Durer before and Blake afterwards, pictures of the Devil and Hell are some of the artist's most interesting subjects. Cranach's illustrations of Revelation (and there are many) come in just behind Durer's famous woodcuts from Revelation as the best known illustrations of that book in the Bible. And what other New Testament book, aside fromt the Gospels, offer such a rich subject.
The double page illustrations have one virtue and one failing. They are worthwhile because you can see all the details, especially on those very busy illusrations from Revelation. From Revelation 4:8, for example we get " 8 And the four living creatures, each of them with six wings, are full of eyes all around and inside. Day and night without ceasing they sing, "Holy, holy, holy, the Lord God the Almighty, who was and is and is to come." The illustration shows the four creatures, covered with eyes. But in a smaller reproduction, those eyes would probably look like nothing more than leopard's spots. The disadvantage of the double sized illustrations is that they span the crease created by the binding, which is not inclined to lay very flat without some persuasion. This risks breaking the mediocre binding quality. But, these pictures are in landscape aspect, so that was about they only way they could be reproduced without loosing the detail. But, by showing all the crude detail, you realize that it was done crudely.
Definitely in the plus column is the price. To have a source of all these pictures which are big enough to hold in front of a small class and be able to point to things, as when you may be studying Revelation, is a big bonus. The drawback is that in order to scan or photocopy them, you may need a larger than "home office" multi-function printer, and you may have to stress the spine of the book.
An excellent bargain for 16th century illustrations.
0 of 0 people found the following review helpful.
Perfect!
By The Teacher
Great help with a school art project
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